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Showing posts with label bookshops. Show all posts
Showing posts with label bookshops. Show all posts

Monday, 21 July 2014

REMEMBERING HAMPSTEAD



This may sound ridiculous, but it has taken us over 20 years to realise the convenience of London bus route number 46 that begins its journey at Lancaster Gate, which is close to where we live. This bus goes almost straight to Hampstead Village (which used to be known as 'Hampstead Town'). Until we 'discovered' it a few days ago, we took a far more roundabout and longer route to visit the village near to where I was brought up.

During my childhood in Hampstead Garden Suburb in the early 1960s, my parents used to take my sister and I to Hampstead almost every Saturday morning. My mother, who was the only driver in the family, drove us up to Jack Straws Castle, a pub that used to stand close to a war memorial and the Whitestone Pond. The car park behind this historic pub, which no longer exists, had a very uneven unmade surface. We walked from there to the pond, often passing men who offered donkey rides, which we never accepted. Whitestone Pond, which was popular with those who needed to sail toy boats, still exists but has recently had a cosmetic 'make-over'. 

From the pond, we walked down Heath Street. In summer, the northern end of Heath Street which had a very broad pavement hosted an outdoor art exhibition. Paintings were hung in makeshift shelters under corrugated iron roofs. There were also artists selling wooden sculptures and bits of pottery, but these were outnumbered by the painters. My late mother, who was an accomplished artist, used to study the works of art on display, and rarely made kind comments about them. My parents knew one of the men who displayed carved wood sculpturs every year, and we always stopped to chat with him even though we never bought any of his works. The exhibition is no longer held there, and has not existed for several decades. For a long time after it ceased to be held, there used to be small blue marks on the wall that ran alongside the stalls. These had something to do with the positioning of the exhibition stands. Now, even those feint  reminders of the open-air art exhibitions have disappeared; parts of the wall have been rebuilt or cleaned.




Soon after the pavement narrows, and Heath Street begins to descend steeply, we used to pass the picturesque Friends Meeting House. This Quaker establishment still exists, but was not a place that we ever entered. A little further down, and on the opposite side of the road one can still see and eat or stay at La Gaffe, an Italian restaurant that seems to have been in Hampstead as long as I can remember. It was not a place that we patronised.




Further down and on the same side of Heath Street as The Quaker's place there is a wedge shaped restaurant. Its only entrance is on the corner of Heath Street and Elm Row. This restaurant, currently selling Italian food, has been through many reincarnations. When I was a child it was an Italian restaurant called the Pimpernel. This was always our first stop on our Saturday morning excursions to Hampstead.



When I was a child in the '60s, there was a short bar next to, and on the left of the entrance. It was here that my parents, who were incredibly fond of Italy and the Italians, ordered their espresso coffees and fruit juices for my sister and I. As they drank thier beverages, they used to chat with the Pimpernel's staff, but mainly in English. When we finished what we had ordered, my sister and I were always given small pieces of torrone - the Italian version of nougat - as gifts by the staff. These were wrapped in silver paper and contained inside cardboard boxes that were the same size as small matchboxes. A newish (1960s) building across the main road from the Pimpernel housed the most wonderful classical music gramophone record shop. This moved away to another site in the early 1970s before going out of business. By then, a branch of the Our Price chain had opened in nearby Hampstead High Street. This has also disappeared. The shop opposite the Pimpernel looks much as it did when it housed the record shop, which I think was called 'Hampstead Hi-Fi', but now it contains a completely different kind of business. The picture below shows Heath Street looking northwards towards the former home of the Pimpernel on the right, and that of the record shop on the left.




Our next stop was a clothes shop further down Heath Street on the same side as the Pimpernel. My mother loved browsing in this shop, but never bought anything!  After visiting that shop, we used to turn left, and walked down the steep Back Lane, which is still cobbled even today. This led to Flask Walk, a short pedestrian way lined with shops that links Back Lane to Hampstead High Street. Next to an old-fashioned butchers shop on the south side of  Flask Walk, there used to be a small bookshop that sold both second-hand and remaindered books. This has gone, as has a small gallery opposite it that exhibited paintings by one of my parents' numerous  friends, the portrait artist Milein Cosman. She was married to the music critic Hans Keller. We used to call in on her occasionally. Some years after I first began visiting Hampstead with my parents, a second and larger second-hand bookshop opened in Flask walk. This still exists, and is one of the only - if not the only - survivor of the 6 or 7 second-hand bookshops that were in Hampstead in the 1960s and 1970s. Apart from Keith Fawkes shop, one of the only places in Flask Walk apart from the pub that has survived since my much younger days is a small French restaurant called 'La Cage Imaginaire'. This did not exist in the 1960s; it opened after my mother died in 1980.

From Flask walk we used to turn left and walk down Hampstead High Street, which eventually becomes Rosslyn Hill. Before changing its name, there is on its south side, closed to what is now Waterstone's bookshop, a truly venerable Hampstead establishment: The Coffee Cup.




Oddly enough, I had never entered this place until a few days ago. It was not somewhere that my parents frequented, and I never ever felt the urge to do so. It dates back to 1954, when I was 2 years old, and is littled changed. Its archaic interior, illustrated below confirms this.





Further down Hampstead High Street, where it becomes Rosslyn Hill, there used to be three neighbouring shopfronts behind which stood the shelves of High Hill Bookshop. This was for me the highlight of our weekly visits to Hampstead. My sister and I were always allowed to choose a book to buy from its well-stocked childrens' department. Sadly, the shop has long gone. Its demise was in no little way the result of the opening of Waterstone's far inferior bookshop in the early 1980s. High Hill closed its doors forever in 1988.





From High Hill Bookshop, we used to make our way up hill and back to the car. Every Saturday was much the same. The very first cinema film that I ever watched was The Red Balloon. I saw thisFrench film, which was first released in 1956 in the Everyman Cinema in Hampstead. This cimema, which still exists, was first a drill hall, then a theatre, and in 1933 it became a cinema. I saw many more films there in my childhood and adolescence. Every year, there used to be a festival of Marx Brothers films. I loved these. In those days, the cinema's audtorium had a strange smell that strongly resembled gas.  Indeed, there were gas lamps attached to the walls of the auditorium, but I am certain that I never saw them working. The Everyman is located in Holly Bush Lane, which is close to Hampstead Underground Station.




This station's platforms are the deepest in London. They are 192 feet below street level. In my youth, these were reached by four or five lifts. Two of these were high-speed. They had metal concertina-like doors and travelled so fast that my stomach shifted and my ears popped. The other lifts with brown wooden sliding doors with art-nouveau decorations were used when the high-speed ones were out of action. They took ages to travel between the station entrance hall and the platforms. The station's entrance was where young people from all over northwest London loitered whist waiting for their friends.

Heath Street continues past the station and winds its way towards Fitzjohns Avenue which descends in a straight line to Swiss Cottage. Before doing so Heath Street is lined with shops and restaurants. One of these that has survived since my adolescence is Louis Hungarian Patisserie.



Even in its heyday, I thought little of it, but considered it a suitable place to entertain a young lady friend. recently, we revisited it, and were disappointed. Its fare was nothing special and its ambience was at best rather depressing. Further along from Louis and occupying a spot on the corner of Heath Street and Perrins Lane is another shop that has been there as long as I can recall:  Photo Craft.





This camera shop is now showing its age. I believe that over the years I bought one or two accessories there, but I am recording its existence mainly because it is one of the few shops that has rmained unchanged in Hampstead for over 5 decades. Next to it on Perrins Lane there is a shop of recent vintage, but next to that there is a row of houses, the first of which can be seen in the picture below to have a green front door:




In my teens, this used to be a second-hand bookshop. It was run by a learned old man. The groundfloor was his shop; he lived above it. Although shelves lined the walls, every available surface including most of the floor was covered with disorderly piles of books. Whilst my friends and I rummaged about looking for interesting volumes, he sat at a book covered table reading. every now and then, he used to chuckle loudly and then he used to read us aloud a passage, often in Latin. We bought many books from him, but now he and the bookshop are merely memories. 





Parallel to Perrins Lane, but a little near to the Underground station there is another narrow thoroughfare called Perrins Court. Near to the end of this where it meets Hampstead High Street, there is the Villa Bianca Restaurant. This opened long after my mother died in 1980. In the 1980s, I lived in Gillingham in Kent. On most weekends, I visited London and stayed with my widowed father. Often on Sundays, we used to eat lunch in this restaurant, or occasionally, the Cage Imaginaire. The Villa Bianca used to serve good Italian food in those days. I have not eaten there for at least 20 years.  Returning to Heath Street and close to the Photo Craft Shop, we reach the beginning of the tree-lined Church Row. This is the locatiuon of another restaurant, the Cellier du Midi.





When the Cellier opened  in the late 1960s or early 1970s, my parents, who were connoisseurs of good food rated it highly, but never took my sister and me tto eat there. A few years ago, we did visit the  restaurant, thus fulfilling a long-held ambition. We were disappointed. Apart from being an interesting time-warp, the food was drearily prepared.




The end of Church Row is dominated by the attractive 18th century parish church of St John at Hampstead. Oddly, I had never set foot inside this lovely building until about 5 years ago. And, only yesterday did I discover that it is a real curiosity. Its high altar is at the west end of the church. It used to be, as convention dictates, at the east end of the church, but it was moved when there were fears about the stability of its bell-tower.



Before leaving Hampstead, let us return to Hampstead High Street. A little way down the hill from the Coffee Cup there is another institution that has been in Hampstead for many decades: La Creperie de Hampstead:






Finally, let me not forget the New End Hospital. Now, it has been converted into luxury flats, but when I was a school boy in the late 1960s, it was still a hospital. I used to do voluntary work in its thyroid treatment laboratory, and once in 1969 I narrowly escaped being attacked by a bunch of skin-heads who were lurking near it. 

So, there you have it: a selection of my memories of Hampstead.




If you have enjoyed these reminiscences,
you will probably also enjoy reading:

CHARLIE CHAPLIN WAVED TO ME

by

ADAM YAMEY

It is availbale from Lulu.com, Amazon, & Barnes&Noble, and may be ordered from 
your local bookshop.









Friday, 31 January 2014

HITLER WITHOUT THE HOLOCAUST?










I found this book about Hitler, which was published in 2007 (ISBN: 9788131002520) and is part of a series called “Biographies of Great Personalities” aimed at younger Indian readers, in Gangaram’s Bookshop in Bangalore (India). The garishly covered book caught my eye in that large bookshop in Bangalore. When I flicked through it, I noticed that it was illustrated with line drawings, many of which showed Adolf Hitler in Indian settings with palm trees. At 40 Rupees (less than half a Pound Sterling), I could not resist buying the 93 page book.



Young Adolf with his mother


The author, Igen B, is a prolific writer. He has published well over 70 short books including biographies of personalities as diverse as Jesus Christ, Bhagat Singh, Mother Teresa, Ashoka the Great, Chhatrapati Shivaji, Shakuntala, and Netaji Chandra Bose. As well as these he has written versions of great Indian classics such as the Vedas, the incarnations of Lord Vishnu, and the Mahabharata. That these books are probably aimed at children is evident from the format and appearance of the books and also the fact that one of his titles is “Illustrated Model Book of School Essay etc.” Therefore, his potential audience is the innocent and impressionable younger mind. This should be remembered whilst paging through his children’s biography of Adolf Hitler.




Hitler at his mother's death-bed


More than half of the text is dedicated to Hitler’s childhood, about which not much is known in detail, his career as an artist, and his rise to power. The author of this book, Igen B, blames a disturbed childhood in a dysfunctional family for much of what Hitler was to become.  The future dictator’s disillusionment with the lack of German national pride and his disappointment with the country’s leadership during WW1 were according to this book, also important formative factors. As, are also the Jews: unquestioningly, Igen B repeats the kind of dangerous nonsense about the Jews that Hitler and many Germans believed. 





Hitler discusses world problems and anti-Semitism at a café in Vienna



Having gained power, we learn of Hitler’s campaign to relieve the Jews of any role in public life, and his hatred of the communists. We also learn of his desire to tear up the Treaty of Versailles, and how he went about doing so. So far, the reader is presented with something that faintly resembles what is now common knowledge about the history of Germany just before and during the brief, but long enough, era of Nazi rule. The penultimate 4 pages of the book describe some aspects of WW2. The last page of text is dedicated the last days of Hitler and his new bride Eva Braun.



Hitler, the artist, at work on a painting




Nowhere in the book are the mass murders perpetrated by the Nazis even hinted at, let alone mentioned. This worries me greatly considering that the book is sold in bookshops in India, and most of these also sell often more than one edition of Hitler’s pernicious ‘autobiography’ “Mein Kampf”.



Adolf Hitler meets the common people  (of Germany).



Igen B’s book is aimed at an Indian audience. It is appropriate in a way that the illustrations are drawn with an Indian flavour, as many readers are unlikely to have visited Europe or are ever likely to do so. The spelling of many German words and names is peculiar. For example we read of ‘Hebzburg’ (Habsburg), ‘Strum Abtiling’ (Sturmabteilung), ‘fonn’ (von), ‘Versai’ (Versailles), and ‘Hoffbraha’ (Hofbrauhaus). Whilst these original spellings are used more than once and are thus unlikely to be typographic errors, they may also be purposeful. It is possible that the author, realising that most of his readers are likely to be unfamiliar with German pronunciation, has transliterated them so as to make them pronounceable by readers of English.



Eva Braun comforts Hiler after he has learnt of the defeat 
of his armies by the Soviet Russians.



I picked up this book as a curio, and read it. The author appears to have done some research, but his or her interpretation and presentation of the facts is somewhat unusual. His lack of emphasis of Hitler’s evil influences and deeds in a book aimed at impressionable youngsters is worrying to say the least.  The impression I had after reading it was that Hitler was portrayed as an unfortunate child, who grew up with the aim of making Germany a great nation. I was not given the impression that he was even a fraction of the monster that he was in reality. I had rather the same impression after watching the end of the film Downfall made in 2004. Hitler’s final moments during that film were almost heart-rending; the power of film and literature cannot be underrated. This is why Igen B’s book on Hitler might well be considered malevolent, even if the author’s intention was otherwise, to be purely informative.




Adolf Hitler and Eva Braun on their wedding day.
(Note the somewhat oriental background)





Read about the books written by the author of this blog by clicking on: http://www.adamyamey.com